What colour's your poem? she asked.
I said,
mostly blues and greens, some
yellow, some red.
Like twilight - maybe a shade of
lilac –
some of it fluorescent, some grey
and drab
and some parts dissolved small
town mud track,
silvered power cuts with a few
dabs
of starshine. Lost
fishhooks on dry riverbeds,
waving heat haze and groundnut
pyramids.
Some lines white, some
unavoidably black.
What colour is your poetry?
I replied,
some quite see-through, like
rainfall on the wide
lit savannahs, on which the long
grass feeds
and grows its shadow, neat
corn-rowed mornings,
windows missing louvres of glass.
Low-speed
smiles, bright swimsuits flashing
in the hot springs
in deep forest. The negative
space between
points of bison horns, the dragon
fly sheen
of streams. And some
as opaque as safekeeping.