Wow! where did that
October go? The start of autumn
is always a happy-busy time - all our main festivals are lined up one
after another, beginning with the Navaratri and ending with Diwali. Incidentally, there is a Halloweenesque festival tucked in that month of Indian fiesta too, the day before Diwali fourteen lamps are placed around the house as a mark of respect for "unsatisfied spirits".
So glad to sit down for some quiet and get back to Write...Edit...Publish, the monthly bloghop hosted by Denise Covey, wish you good health and happiness and happy writing always, Denise! The prompt for this month is a ghost story.
So glad to sit down for some quiet and get back to Write...Edit...Publish, the monthly bloghop hosted by Denise Covey, wish you good health and happiness and happy writing always, Denise! The prompt for this month is a ghost story.
Just want to mention here that a mushaira is a gathering of poets to recite their poetry, sometimes
in competition, rather like a musical/poetic duel. A literary face
off. It is an Arab-Persian tradition that
came to India centuries ago and survives in many parts of India and Pakistan. But Ruphail and its fair are completely fictional, of course.
The Mushaira
For
most of the year, Ruphail was a village that lived in happy anonymity, minding
its wheat-fields and corn-, its livestock and tractors, its library, station
and a single school. But every autumn,
it was transformed by the biggest, grandest month-long fair, from the first
night of the Navaratri to Diwali.
The highlight
of the fair was its annual Mushaira, where shayyers
and qawwals from far-flung villages vied
against each other. For all its
insignificance, Ruphail had consistently produced the champion - Saif-ud-din Akhtar had held the trophy for
several years now. This year too, it was
understood that he would walk away with it.
***
“Do get up, Pratap!”
“What
are you doing poking people awake at the crack of dawn? What’s
happened?”
“Saifu’s
been bitten by a krait. He’s in the city
hospital.”
“My
god, Bhule! How is he?”
“No
news still.”
“Will
he be able to come back and compete in the Mushaira?”
“Pray
that he comes back, Pratap.”
“Less
than a week left for it.”
“I
know!”
***
Pratap
was practicing his routine for the fair – he was an amateur mimic and
ventriloquist - when Bhule came in with Saif-ud-din’s notebooks.
“What’s
the idea?” Pratap cocked an eyebrow.
“The
idea is that you will take the place of Saifu.”
“What
are you, crazy? Everyone knows Saifu,
they will make out instantly!”
“Well,
actually they won’t, the judges and the other competitor-poets are all from
outside, they might have seen him last year, not likely they’d remember every
detail. But that wasn’t what I had in
mind. You go as yourself, only recite
his poetry there, that way Ruphail still has a chance at the trophy. Simple.”
“But
that’s kind of cheating.”
“I
suppose. But no other way to the trophy.”
“And
it’s very dicey indeed. I won’t be able
to respond properly to the cues.”
“Just
learn the stuff by heart, whatever fresh material he’s written after the last
Mushaira. Poetry’s all the same you know, moth-and-flame, wounded-hearts, blushing-rose, wine-and-Saki, same wine and same bottles, always the same blah. Anything can be a cue, anything can be a response,
and poetic licence is always there as a last resort. Piece of cake, really.”
“I
have a very bad feeling about this. It’ll
probably go horribly wrong.”
“Nothing
ventured, nothing gained.”
“How’s Saifu doing?”
Bhule
looked troubled, the scheme blurred and the focus moved back to the real reason
for it, lying miles away.
“He’s
still critical. But stable. Whatever
that means.”
***
Pratap
finished his routine early and moved to the other marquee alone. Though Bhule
was supposed to meet him, he had not turned up.
Pratap made his uneasy way to where contestants were queuing for the competition.
There were around ten people in front, a woman in a green sari; a suavely
dressed middle aged man, too slick by half; a man wrapped up in a great khaki
blanket-like shawl three places ahead of him.
He fidgeted nervously as the queue shortened.
Naam, janab?
Saif-ud-din Akhtar.
Pratap
looked up electrified, it was the man wrapped in the shawl, his profile visible past the edge of the cloth on his shoulder and head. He wanted to call out, but checked himself
just in time. It would be difficult to
explain what he was doing in the poets’ queue.
So Saif-ud-din was back! Just in the nick of time too!
Relieved,
Pratap smartly moved out of the queue and into the spectators’ area, keeping an
eye out for Bhule. He would give him a
piece of his mind when that worthless so-and-so came in. Imagine not letting him know that Saifu was
back! Suppose Pratap had been in front of the queue rather than three places
behind? He sat among the audience and tried to compose himself.
Meanwhile,
the draw of lots was over, and the mushaira started. Someone was reciting the opening quatrain of
the competition.
“Where will you go, beloved, without me?
I’m the goblet, the wine too, and the
Saki;
in your quietest taverns, I am the
peace,
I am your passion and your poetry.”
Before the applause had fully died away,
Saif-ud-din answered:
No, I’ve
come too far, can’t feel the spell of your smile
open
like a music box and reveal inside
the
dancers, fuzzy-white, magical, fragile,
twirling
against my heart, on that final divide
between
melodies of dreams and reality.
A
minute’s restlessness, a door ajar, the rise
of a
road in early moonlight, a silvery
trembling,
a shadow-chase somewhere has meant this price.
Pratap joined in the chorus of “wah-wah” and clapping, he could not
remember reading those lines in the notebooks.
The exchange of couplets and quatrains became brisker, the words flashed
like jewelled daggers, back and forth.
Pratap forgot that he was keeping a lookout for Bhule, forgot his relief
at his split second escape from Bhule’s hare-brained scheme, just sat entranced. Saif-ud-din outdid all his previous
performances as the evening deepened into night. The trophy, this year fashioned like a silver
inkpot and quill, was awarded again to the defending champion.
***
“Where the hell have you been? Why didn’t you turn up at the Mushaira?”
Bhule raised an exhausted face, “Couldn’t.”
“You should have come. Saifu was in top form. He got the trophy,
decisively too.”
“What are you talking about, Pratap?! Saifu
died last evening at the hospital.”
Pratap looked dumbfounded. He finally said when he found his voice
again, “But it wasn’t just me, the whole audience saw him, heard him winning
that trophy.”
***
Saif-ud-din’s body had been readied for the burial
procession. There were people coming and
going, his mother and sister were receiving condolers on one side, the men
huddled at the other end. Bhule and
Pratap sat with them for some time, then slipped away inside to the room Saif-ud-din
had shared with his brothers and cousin.
Pratap lowered his notebooks onto his rickety desk. On a shelf above it, stood a brand new
shining trophy in the shape of an inkpot and quill.
WC-1011
*Naam, janab? - Name, Sir?
shayyer - poet
qawwal - singers of qawwali, a particular form of Sufi devotional song. The form is also used in competitions and/or a point-counterpoint format.
Saki - literally the one who pours the wine. Usually the Saki is a metaphor for the beloved, either an earthly one, or God.
Saki - literally the one who pours the wine. Usually the Saki is a metaphor for the beloved, either an earthly one, or God.
Read the other entries and/or sign up here:
FLASH FICTION, POETRY, NON-FICTION, ARTWORK, PHOTO ESSAY
JOIN IN THE FUN! SPREAD THE WORD!!
JOIN IN THE FUN! SPREAD THE WORD!!
- SUBMIT your name and URL to the list below NOW and post on October 31st, Halloween
- CREATE your GHOST STORY.
- EDIT your entry.
- PUBLISH your entry on your blog on October 31st, stating feedback preferences.
- READ other entries, giving feedback as requested.
PLEASE LEAVE A COMMENT WHEN LINKING UP.
Email Denise if you have more questions:
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1. | Denise Covey | 6. | Laura Clipson | 11. | Trisha @ WORD+STUFF | |
2. | Stephen Tremp | 7. | Lisa Buie-Collard | 12. | Feather Stone | |
3. | Jenny Brigalow | 8. | Roland Yeomans | 13. | T. Powell Coltrin | |
4. | DG Hudson | 9. | N.R. Williams | 14. | Anna Nordeman | |
5. | Nilanjana Bose | 10. | doloral |
Now the spirit can go peacefully to his rest, eh? What an elegant story, starting out as an attempt to only regain a trophy and ending with the trophy for the village and retention of a man's honor. I enjoyed this very much.
ReplyDeleteElegance is a word inextricably associated with the artform of the mushaira, so your choice of adjective made me very happy indeed! Thank you. :)
DeleteNow that's dedication to the competition, lol. Nicely done Nila. Your poetry is beautiful.
ReplyDeleteFinally gave in to the temptation of embedding poetry in a story :) glad you liked both, thanks.
DeleteHi Nil
ReplyDeleteLoved the twist at the end. All those festivals sound like fun.
Nancy
They are fun, if a little bit exhausting in the observances. I only do the fun
DeleteNilanjana,
ReplyDeleteI loved how personal this felt. I know several poets that would wonderful with this kind of competition, and what an honor it would be to witness!
Lovely!
I have never seen one live, only watched on TV, The poets have to have their wits about them alright. Thanks for being here, Yolanda.
DeleteHi Nila. I'm so glad that I always learn more about the Indian culture when I read your posts. Now it is the Mushaira (in Australia it might be the equivalent to a Poetry Slam). What an uplifiting competition it sounds, even attended and won by ghosts. Love it and love the way the story progressed. Had me wanting to read on to find the answers to my questions. The dialogue worked a treat and added another layer to the story.
ReplyDeleteThanks for your participation in the WEP challenge.
Also thanks for your interests in my health. I will email you.
Denise :)
Hi Denise,
DeleteGlad to see you here! The Mushaira is a poetry slam exactly, except that it predates the slam :) The rules are a bit stricter, and the language is courtly and formal, forms probably unchanged for centuries. Fixed forms dominate Indian/subcontinental poetry to a greater extent than in English, at least as far as my understanding goes.
Always a pleasure to be at the WEP, thank you for hosting.
A fascinating insight into your world. Poetry and competition would seem to be universal. I loved the way you embedded the poetry into the story. Very clever. A moving piece.
ReplyDeleteThank you.
DeleteEven though I guessed how it would end, I still had goosebumps when I finished it. You are such a good writer! I love how you set the scene and your poetry is astounding. Thanks so much for sharing this with us!
ReplyDeleteI enjoyed embedding/writing the poetry. Glad you liked it. Thanks.
DeleteWonderful ghost story. And Lisa is right: you are such a gifted poet. I am honored that you even visited my blog post. :-)
ReplyDeleteThe ghost of Twain will have his joke of course. Thank you for that head-turning compliment. The honour is entirely mine :-)
DeleteGreat story - very haunting. I really enjoy reading your stories set in a very different world to the one I live in. :)
ReplyDeleteThat's what I enjoy most about WEP really, the diversity of cultures and continents showcased in the stories. Thanks for being here :)
DeleteAn interesting and well written ghost story. Lovely to hear about other cultures and their interest in the arts.
ReplyDeleteGreat story plus a little poetry and insight into another culture. Well done.
ReplyDeleteThanks, Sally and Linda.
ReplyDelete